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1. Cooper, David ThomasBach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. DMA diss., Univ. of Wisconsin, Madison, 2001. Advisor: John E. Aley. diss. 2001
2. Otsuka, NaoyaJ. S. Bach no Shukenban no tame no Toccata Kenkyu: BWV 910-916 no Seiritsu to Klavier no Gainen ni tsuite no Kosatsu. [A study on J. S. Bach's Keyboard Toccatas: consideration on the origin of BWV 910-916 and the concept of clavier] PhD diss., Tokyo National University of Fine Arts and Music, 2001. diss. 2001
3. Jung, Ja YoungPreludes in all twenty-four major and minor keys, op. 67, by Johann Nepomuk Hummel: An investigation and analysis. DMA diss, City University of New York, Graduate Center, 2001. 144p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-50734-5. Dissertation No: 3037408. diss. 2001 144p
4. Edge, DexterMozart's Viennese copyists. PhD diss, University of Southern California, 2001. 2416p. diss. 2001 2416p
5. Davis, StaceyImplied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. PhD diss. Northwestern University, 2001, 266p. Advisor: Richard Ashley. diss. 2001 266p
6. Sanders, Reginald LeMonteCarl Philipp Emanuel Bach and liturgical music at the Hamburg principal churches from 1768 to 1788. PhD diss., Yale University, 2001. 316p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-43837-8; 978-0-493-43837-5. Dissertation No: 3030822 diss. 2001 316p
7. Cole, WarwickThe Performance of Small-note Vorschläge in the Keyboard and Chamber Music of J. S. Bach. PhD diss., Birmingham Conservatoire (UCE), 2001. 2 vols, 357pp. diss. 2001 357p
8. Piña Rebeil, Juan CarlosLa guitarra clásica a travéz de los períodos barroco y contemporáneo. BMus diss., Universidad de las Américas Puebla, 2003. http://catarina.udlap.mx/u_dl_a/tales/documentos/lmu/pina_r_jc/portada.html [Capítulo 1. Johann Sebastian Bach (1685-1750) Cuarta Suite para Laúd en Mi Mayor BWV 1006a (1723-1731)] diss. 2001 35p
9. White, Andrew Carl'Good invention repaid with interest': The Importance of Borrowing in Bach's Compositional Process. PhD diss., Musicology, City University of New York, 2001. 380p. - Ann Arbor, MI: ISBN: 0-493-18605-0; 978-0-493-18605-4. Dissertation No: 3008882. - Saarbrücken: LAP Lambert Academic Publishing, 2010. iii, 380p. ISBN 978-3-8383-1749-6. diss. 2001 380p
10. Sun, Chiao-LingViolin and dance in the Baroque era: The unaccompanied violin Partita BWV 1002 by Johann Sebastian Bach. DMA diss, Univ. of California Santa Barbara, 2001. 56p. Advisor: Geoffrey Rutkowski. diss. 2001 56p
11. Kalshoven, Laura AnnViola da gamba sonatas by Johann Sebastian Bach and sons (Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach. DMA diss., Univ. of Maryland, College Park, 2001. 57p. Advisor: Gerald Fischbach. diss. 2001 57p
12. Macri, ChiaraLa prassi esecutiva pianistica nei suoi fondamenti storici ebiomeccanici: Una nuova ipotesi metodologica. [The historical and biomechanic principles of the piano performance practice: A new methodogical hypothesis] lau, Universita degli Studi di Bologna-Facolta di Lettere e Filosofia, 2001. 683 p. diss. 2001 683p
13. Trolier, Kimberly AnnAnalytical topics in Bach's flute sonatas. DMA diss., Temple University, 2001. 79p diss. 2001 79p
14. Wallis, Byron MalcolmVirtuosity and Illusion: Bach's C-major Solo Violin Fugue in the History of Violin Polyphony. PhD diss. University of California, Santa Barbara, 2001, 90p. Advisor: Geoffrey Rutkowsky. diss. 2001 90p
15. Arsenault, Valerie PrebysA Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416. diss. 2001 92p
16. Hess, Kimberly AnnThe organ sonatas of Carl Philipp Emanuel Bach. DMA diss., University of Illinois at Urbana-Champaign, 2001, v, 223p. diss. 2001 v, 223p
17. Elbon, Virginia ElizabethSymmetry and proportion: Generative and formative procedures of J. S. Bach's 'Brandenburg Concerto No. 3'. Master of Music Theory diss., West Virginia University, 2001. vii, 33p diss. 2001 vii, 33p
18. Power, TushaarJ.S. Bach and the Divine Proportion. PhD., Duke University, Durham [USA], 2001. xi, 255p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-54647-2; 978-0-493-54647-6; Dissertation No: 3041307. diss. 2001 xi, 255p
19. Brass, ChristopheLa basse fondamentale dans Le clavier bien tempéré de Johann Sebastian Bach. [The fundamental bass in The well-tempered clavier of J.S. Bach] PhD diss., U. de Strasbourg II [Marc Bloch], 2001. 3 vols., xii, 867 p diss. 2001 xii, 867 p
20. Deyton, Timothy JackA conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. DMA diss., Southwestern Baptist Theological Seminary, 2001. xv, 199p. ISBN: 0-493-45819-0. diss. 2001 xv, 199p

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